When the Ladies Are Murderers for Hire: Dark Comedy at La Jolla Playhouse

The perfect story for the age of Donald Trump, Jr. has just arrived at La Jolla Playhouse.  The name of the play is “Kill Local,” and I’m happy to recommend this Playhouse experimental effort.

So, for some summer laughs and gender role reversal, hurry over to catch this farce with a morality play angle.  The more gruesome parts are in the first act but patrons will definitely stay around for the conclusion.

This reviewer was amused that with the world-wide feminist call for gender equality, this dark comedy comes along to show what can happen when women are completely in charge.  This makes for refreshing drama and helps one understand the often leavening  role of art.

Though bloody, the acting was quite good even as some of the players lines could have used better microphone boosting.  Same for the innovative directing—the play had to be stopped for a stage correction on opening night.

But the script is well-written, a tribute to the partnership between UCSD Theater and the La Jolla Playhouse.  The fine writer, Mat Smart, studied at University of California, San Diego before migrating to New York and now has temporarily come back to delight the home folks with a script and staging that has echoes of Theater of the Absurd and is a bit unusual but—amazingly—it works!

The players should be recognized for their good acting and hard work in this physically demanding performance.  They are Matthew Amendt, Carolyn Braver, Candy Buckley, Amanda Quaid and Xochiti Romero.  Braver’s parents drove in from Tucson to delight in the work of their 25-year-old daughter who effectively plays a semi-naïve 17-year-old.  Her very proud dad confided that she had already had a Broadway role and was thrilled to be in this La Jolla production.

Amanda Quaid as Shelia (left) and Carolyn Braver as Ami

Amanda Quaid as Shelia (left) and Carolyn Braver as Ami

The other stars are a devilish Mom and her two daughters who run a small family killing-for-hire business which is the heart of the production.  Their extraordinary foil is Amendt a dead ringer for Donald Trump Jr, looking-alike, sounding-alike and a capitalist—selfish at any cost.

mother daughter

Amanda Quaid as “Shelia” (left) and Candy Buckley as “Gloria”

One could delight merely in this character’s swinging around at the mercy of his guns-for-hire captor.  But there is much more in this playful script for which you’ll have to scurry over to the playhouse to get the inside story: La Jolla Playhouse

hanging

Amanda Quaid as “Shelia” (left) and Matthew Amendt as “Todd”

Most everywhere one turns these days in the La Jolla neighborhood of San Diego one sees partnerships between UCSD and various elements of the community.  Presentation of “Kill Local,” as said, fine experimental theater, is a marvelous tribute to the long-time synergy created in the “Theater District.”

At the same time, UCSD Chancellor Pradeep K. Khosla must be congratulated also for providing a temporary home for SummerFest 2017, our grand musical event—on a class with the very few top musical festivals in the world.

Incidentally this is the same academic leader who brought the Dalai Lama to La Jolla—a courageous act in face of anti-free-speech propagandists who flooded his switchboard with nasty phone calls.  It was a pleasure to see the Chancellor at the Playhouse opening night of “Kill Local” in this case accompanied by his articulate and handsome son.

Check out “Kill Local” during this limited run in August.  Ticket details are available at the site La Jolla Playhouse.

 

Tags: , ,

Leave a Reply