Posts Tagged ‘Women’

When the Ladies Are Murderers for Hire: Dark Comedy at La Jolla Playhouse

Monday, August 7th, 2017

The perfect story for the age of Donald Trump, Jr. has just arrived at La Jolla Playhouse.  The name of the play is “Kill Local,” and I’m happy to recommend this Playhouse experimental effort.

So, for some summer laughs and gender role reversal, hurry over to catch this farce with a morality play angle.  The more gruesome parts are in the first act but patrons will definitely stay around for the conclusion.

This reviewer was amused that with the world-wide feminist call for gender equality, this dark comedy comes along to show what can happen when women are completely in charge.  This makes for refreshing drama and helps one understand the often leavening  role of art.

Though bloody, the acting was quite good even as some of the players lines could have used better microphone boosting.  Same for the innovative directing—the play had to be stopped for a stage correction on opening night.

But the script is well-written, a tribute to the partnership between UCSD Theater and the La Jolla Playhouse.  The fine writer, Mat Smart, studied at University of California, San Diego before migrating to New York and now has temporarily come back to delight the home folks with a script and staging that has echoes of Theater of the Absurd and is a bit unusual but—amazingly—it works!

The players should be recognized for their good acting and hard work in this physically demanding performance.  They are Matthew Amendt, Carolyn Braver, Candy Buckley, Amanda Quaid and Xochiti Romero.  Braver’s parents drove in from Tucson to delight in the work of their 25-year-old daughter who effectively plays a semi-naïve 17-year-old.  Her very proud dad confided that she had already had a Broadway role and was thrilled to be in this La Jolla production.

Amanda Quaid as Shelia (left) and Carolyn Braver as Ami

Amanda Quaid as Shelia (left) and Carolyn Braver as Ami

The other stars are a devilish Mom and her two daughters who run a small family killing-for-hire business which is the heart of the production.  Their extraordinary foil is Amendt a dead ringer for Donald Trump Jr, looking-alike, sounding-alike and a capitalist—selfish at any cost.

mother daughter

Amanda Quaid as “Shelia” (left) and Candy Buckley as “Gloria”

One could delight merely in this character’s swinging around at the mercy of his guns-for-hire captor.  But there is much more in this playful script for which you’ll have to scurry over to the playhouse to get the inside story: La Jolla Playhouse

hanging

Amanda Quaid as “Shelia” (left) and Matthew Amendt as “Todd”

Most everywhere one turns these days in the La Jolla neighborhood of San Diego one sees partnerships between UCSD and various elements of the community.  Presentation of “Kill Local,” as said, fine experimental theater, is a marvelous tribute to the long-time synergy created in the “Theater District.”

At the same time, UCSD Chancellor Pradeep K. Khosla must be congratulated also for providing a temporary home for SummerFest 2017, our grand musical event—on a class with the very few top musical festivals in the world.

Incidentally this is the same academic leader who brought the Dalai Lama to La Jolla—a courageous act in face of anti-free-speech propagandists who flooded his switchboard with nasty phone calls.  It was a pleasure to see the Chancellor at the Playhouse opening night of “Kill Local” in this case accompanied by his articulate and handsome son.

Check out “Kill Local” during this limited run in August.  Ticket details are available at the site La Jolla Playhouse.

 

Muslim-American Culture, with Passion, Insight and Humor, At La Jolla Playhouse

Thursday, February 20th, 2014

by Barry Jagoda

Vision, courage and a willingness to create theater out of a central conflict of our time was required for La Jolla Playhouse to stage a drama focusing on a Muslim-American family and the contradictions this religion has created all over the world.

The February 19 world premier of an unforgettable play “The Who & The What,” by Ayad Akhtar, was a triumph not merely because the production was a “crowd pleaser.”  Playhouse opening night audiences are not used to deep and thoughtful theater—which this production truly is.  And there was enough humor and superficiality to draw loud and heartfelt applause throughout the evening.

But if one seeks depth on the topic of religion, particularly the Islamic faith, go see this play!  It is a wonderful exposition of Muslim culture, with references to a homeland in Pakistan but otherwise the story plays out here at home in America, with a healthy infusion of wit and wisdom underlying much seriousness. The play is contemporary and set in Atlanta.  It will be performed nightly at The La Jolla Playhouse until March 9th with two matinees each weekend.

The story is of a traditional, but transplanted, deep believer in the Prophet Mohammed, but now a taxi driver in Atlanta whose wife (“broken” by her husband) died of cancer, leaving the father of two daughters struggling with their faith but a father whose Muslim tenants are NEVER doubted.   Of course the girls have other thoughts about this.  The three are seen below:

An unlikely fourth player is the part-time Iman of a local mosque, an intellectual plumber when not engaged in his faith work.  Named Eli, he ends up marrying one of the girls—fights ensue, but a baby is born.  An American convert to Islam, the young clergyman has a modern view of religious requirements.  Iman Eli and his wife, Zarina, the brilliant older of the Muslim women–she has a Harvard graduate degree in literature and her life’s work is a novel with a very questioning perspective on the Prophet–are pictured below

Kudos particularly go to Artistic Director Christopher Ashley who signed up this project after just one dramatic reading.  In so doing he accepted the enormous challenge of bringing a serious play on the subject of Muslim culture (particularly in its American context) to a venue which has been more partial to mass cultural theater than to an extremely thoughtful, highly cerebral examination of what is perhaps the world’s most vexing issue.  Religion, and particularly the Islamic faith of more than 1.2 billion persons world-wide, get an examination in this case study of the girls, their various boyfriends—and husbands—and the dictatorial influence of the father.

 

Playwright Aktar’s Pulitzer Prize in Drama for an earlier production, “Disgraced,” had not been announced prior to The Playhouse taking on this new story thus adding to the leap of faith by Ashley and his creative team.   They brought in Director Kimberly Senior (who had earlier worked with Aktar) and the four stars of the play:  Monika Jolly, Meera Kumbhani, Kai Lennox and Bernhard White.

To their lasting credit, the producers did not water down this project.  The many conflicts about The Prophet—particularly what the playwright calls “gender politics”–are present and the subject of many long, loud, passionate and very interesting arguments.

Amazingly, for all the bluster and anger in the family, there is a happy ending.  Dear Reader, you are invited, even encouraged, to go see for yourself.

 

20 Top Women Golfers Play in Tiger’s Footsteps at Torrey Pines

Wednesday, September 16th, 2009

By far the largest gallery at The Samsung World Challenge was following Lorena Ochoa, the graceful and amazingly talented golfer from Mexico. She was one of 20 great stars from the Ladies Professional Golf Association playing a major tournament on the South Course of Torrey Pines at La Jolla, CA. This is the very same venue that saw Tiger Woods win his great victory in the U.S. Open in 2008.

Ochoa did not disappoint her fans, not merely because she had a winning smile for everyone who sought her autograph and for the dozens who stopped her for a photo that would end up proving proximity to greatness.

Lorena Ochoa is a crowd favorite at Torrey Pines

Lorena Ochoa is a crowd favorite at Torrey Pines

More, Lorena demonstrated her great abilities on several holes in the pro-am. On the challenging 18th finishing hole, she powered the longest drive of the day and then dramatically chipped in for a birdie bringing applause and bravos from the assembled crowd. To which we can only add, “Muy Bien y Excelante!”