By Barry Jagoda
The great news this August in La Jolla, the famous neighborhood of San Diego, California, is that SummerFest has returned, now for it’s 30th Anniversary year of producing some of the globe’s very best chamber music.
The Festival features world class artists presenting to appreciative audiences of regular concert goers (and regular big time donors). SummerFest also includes a significant program of free workshops and lectures as well as extremely helpful “prelude” events for ticket holders.
What a pleasure, for example, to be a ticket-holder on the evening of August 10, for a program that began with a scintillating prelude lecture (on Beethoven and the “sonata form”) from University of California professor Steven Cassedy. The evening concluded with a magnificent performance of Beethoven’s String Quartet in E-flat, Opus 127, by the incomparable Danish String Quartet.
After a standing ovation from the good-sized audience, the Quartet, pictured above, played an encore, one of their favorites, the Danish folk tune, Sonderho (“Bridal Trilogy”), which occasioned another standing ovation.
The evening’s full program was entitled “Richard, Robert and Ludwig,” referring to concertizing of Richard Strauss and Robert Schuman compositions, as well as to the “Ludwig,” string quartet referenced above.
Earlier on this same pleasant August evening (the weather is almost always nice at the San Diego coast) patrons were invited to pay for a “pre-concert” dinner at one of San Diego’s newest and best restaurants, the Sicilian-themed Catania. Also on this same Festival day, La Jolla music lovers (and some visiting tourists) were treated to a free “Coaching Workshop,” where top musicians mentored the work of some of their younger brethren–performers with brilliant potential.
An eager SummerFest participant would have to be asleep by 11pm Wednesday to wake for Thursday, August 11, festival events such as another coaching workshop and a brilliant “Encounter,” where scholar Nuvi Mehta presented a talk entitled, “Vienna 1900: How the Past Made the Future.” This talk was designed as background for the next few concerts, one titled “Viennese Giants,” with compositions from Mozart and other brilliant Austrian composers.
Mehta, a respected musical and historical lecturer, deeply engaged his audience with perspectives on Vienna at the time, noting a history of anti-Semitism and general anti-immigrant bias. His talk explained how private intellectual opposition to the ruling Hapsburg imperial dynasty ironically helped develop a culture for the new music of the 20th Century. Saying “words are seeds,” and seeing parallels with our own times, the speaker pointed out that radical political demagogues also arose in Austria and Germanic Europe as part of the revolt against perceived unfairness.
After mid-August, SummerFest concert-goers will have another ten performances from which to choose, along with fifteen free workshops and encounters. For a full listing of the Festival schedule see www.ljms.org, the Internet home of La Jolla Music Society, which is the producing organization for the entire summer’s cultural cornucopia.
Patrons who wanted to support the Festival, financially, were invited to an August 13th “Anniversary Gala dinner,” followed by an intimate concert of works by Bartok, Wolf and Dvorak. Performers at the Gala Concert were to include, Cho-Liang “Jimmy” Lin, the Rice University music professor who is Musical Director of the Festival and always in demand as a beloved violinist.
This writer also looks forward to “An Evening with Paquito D’Rivera,” the soulful and brilliant clarinetist.
SummerFest’s August 17 program is sub-titled “Jazz Meets the Classics,” featuring an amalgam of classical chamber music players and jazz, led by Paquito D’Rivera, pictured above.
Friday (Aug. 19) and Saturday (Aug. 20) brings a two-evening focus on cello suites from J.S. Bach, starring Mischa Maisky, the Russian cello genius who studied under both Mstislav Rostropovich and Gregor Piatigorsky. Maisky will perform the much loved “Six Suites for Unaccompanied Cello,” of Bach. These two evenings cannot be missed by Bach lovers.
August 21 brings “Great Quintets,” and the following Tuesday (August 23) will star the wonderful “Verona Quartet,” in “Virtuoso Winds,” also with acclaimed pianist Shai Wosner.
Pianist Shai Wosner has attracted international recognition for his exceptional artistry.
SummerFest continues on Aug. 24 with music from Liszt, Tchaikovsky and the world premier of Pianist Mar-Andre Hamelin performing (along with cellist Hai-Ye Ni) his own “Four Perspectives.”
The Festival’s grand finale stars genius James Conlon, Musical Director of the Los Angeles Opera, conducting Schubert, Prokofev and Mozart. This compelling event also stars Gil Shaham, who Time magazine called, “the outstanding American violinist of his generation.”
Except for the Gala all these concerts take place in the acoustically splendid auditorium of La Jolla’s San Diego Museum of Contemporary Art.
One is advised to check the festival web site for locations of open and free Encounters, Coaching Sessions and Rehearsals, which can be found at locations of community partners, the Athenaeum Music and Arts Library and at La Jolla’s public library.
SummerFest is constructing a new home for itself, along with what is expected to be an outstanding venue for this and other La Jolla Music Society events. The facility is expected to be ready for SummerFest in 2018.